It is an inevitably shameful fact that I was so belated in recognizing Agatha Christie’s world-famous detective stories, the Hercule Poirot mystery, but I just hope it wasn’t too late. It’s not that I never knew the Dame, only between the recent craze for the modern TV adaptations of Arthur Conan Doyle’s Sherlock Holmes and pursuing my wish list books, somehow I didn’t have time to even think to get my hands on them. I did eventually, though, find myself an opportunity to read one, randomly picking Murder on the Links, and I was instantly captured. It is safe to say, I think, that I’m not safe from its beguiling plot and intricately woven mysteries, as were millions other people before me. And thus, I picked up without the slightest hesitation another Poirot book, which was Death on the Nile, to devour. So this post is especially dedicated to elaborating my opinion and impression after reading my first (and not last, I hope) Hercule Poirot mysteries.
Murder on the Links begins with Captain Hastings meeting a mysterious acrobat girl on a train back from Paris. This accidental meeting is already mysterious enough to be put aside, but unfortunately that has to be forgotten for a moment. Hercule Poirot, the Belgian detective famous for his small body and funny mustache, and Hastings’ close friend, received a letter from someone named P.T. Renauld, who is very well-known for his tremendous wealth. The letter sounds as if the rich man is in unimaginable danger for knowing a certain secret. Thus, Poirot and Hastings immediately set out for Merlinville where the Renauld family spend their summer in France. But when they get there, Mr. Renauld has already died. Stabbed in the back, literally. Mysteries swirl around wildly, suspicions thrown at everybody, including Mr. Renauld’s secret lover, Mrs. Daubreuil, and his own son, Jack Renauld. But if it’s true that Mrs. Daubreuil is the murderer, why would she do it when she can always blackmail her victim? And if it’s Jack Renauld, does he really have a strong enough reason to do the horrible crime?
Unlike Murder on the Links, Death on the Nile has a somewhat different approach to introducing the case. It, perhaps in an attempt to explain its premise and strengthen its foundation, tediously tells the background of Linnet Ridgeway, the young and unbelievably rich woman who is used to have everything her own way, including when it comes to love. She has no qualms about snatching away her best friend’s fiancé, and that unquestionably triggers hatred and vengeance in the heart of Jacqueline de Bellefort, that friend of hers. Subsequently, of course, the deep loathing Jackie has for her friend spurs her to do the unthinkable. She threatens to kill the woman she deems to have betrayed her, she follows her and her new husband everywhere, even to Egypt. And there, right on the Nile, the unthinkable really comes to reality. Upon Jackie’s argument with Simon Doyle, the man who becomes the problem, Linnet Ridgeway, or Mrs. Doyle, is found dead in her bed on the ship taking them along the river. But then, considering the evidences and alibi, is it really Jacqueline who does it?
Every detective has their own way of solving cases, and Hercule Poirot is no exception. He is not one to rely on theories, because he thinks theories sometimes do not accord with facts. He uses his “little grey cells”, as he puts it, not just observing things but thinking them through, too. He doesn’t care to do deduction, for in his cases the mysteries are so intricate that doing deduction might be very much prone to misleading conclusions, and accusing the wrong person. The cases of Murder on the Links and Death on the Nile prove to be almost impossible to solve that readers will always be in the dark until Poirot decides to reveal everything at the end of the story. Unless, of course, we can be faster than him and really, really use our little grey cells. What’s unique about Christie’s method of investigation in her Poirot books is the presence of Captain Arthur Hastings. He might not be present in all Poirot books, as far as I know, but the fact that he is there accompanying Poirot in some of his investigations cannot be deemed insignificant. Somehow Hastings’ simple, rather sentimental imagination forms an assumption on the course of action taken by the culprit and thus provides the reader with a glimpse of clue, and much fun, too. Such a shame this isn’t applied in Death on the Nile, where we will only meet Colonel Race who doesn’t seem to have any significance nor do anything but standing silently beside Poirot and leaving everything to him.
I may not have read many crime/mystery novels yet, and I am definitely still new to Agatha Christie, but I can tell that the mystery in both Murder on the Links and Death on the Nile is a creation of a genius. Who would have thought that, instead of narrowing the suspects of the crimes to one or two persons, Christie would wildly cast doubt upon almost everyone except the investigators? The way Christie twists and turns her storylines has seriously made the reader have so many suspicions and nearly accuse the wrong character. Every individual seems to have a reason to harm/kill the victim, and those reasons are usually made to make sense. But that’s where Christie lays her trap. It is as if the reader is persuaded, seduced even, to believe that someone with some motive is the killer, which more often than not is not the case. What’s more captivating, the mysteries are not only vastly numerous but also arranged in puzzling layers. And the plot is fastly paced, too, which is something that I like most in a crime novel. Christie wastes no time in exploring every each character, they are described through their gestures and dialogues, while every fan of hers must have known that there are a lot of characters in each of her books.
All I can say is that I am truly, deeply fascinated. Murder on the Links and Death on the Nile are really incredible, unbelievable. Though I prefer the former to the later one. And now I’m looking forward to reading more Poirot books, and more of Christie’s work.
Rating: 4/5 for Murder on the Links, 3.5/5 for Death on the Nile.
Overall rating: 3.75/5